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Mercedes Matter

A Catalogue Raisonné


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Mercedes Matter's Artistic Legacy



A New York School Standout , Wall Street Journal, Nov. 7, 2009, Lance Esplund

"Mercedes Matter:A Retrospective Exhibition". Sidney Mishkin Gallery Baruch College 135 E. 22nd St. Through Dec. 14

One of the best New York painting exhibitions is not in a museum but in a gallery, and off the beaten path. The traveling Mercedes Matter retrospective of 33 well-chosen works spanning her entire career, though it should be much larger and headlining a museum, gives us, in a nutshell, the monumental achievement of a monumental, but sadly overlooked, artist. A central figure of the New York School, Matter (1913-2001) studied with Fernand Léger and Hans Hofmann; but important also were her father the painter Arthur B. Carles (a student of Matisse), her friends Giacometti and de Kooning and her husband the photographer and graphic designer Herbert Matter. Included in this show are extremely accomplished early works from her teens; Fauvist-inspired nudes, still lifes and landscapes, as well as pure abstractions, all from her 20s; and the masterly drawings and paintings—the crowded, jostling, mountainous still lifes, in quicksilver-charcoal line and bold, racing color—of her mature period. Some of these late works rank among the finest the New York School has to offer. Matter's own legacy lives on not just through her artwork but also through her teaching at the New York Studio School of Drawing, Painting and Sculpture, which she co-founded in 1964. Unfortunately, the organizers of the lavish monograph that accompanies the show don't seem to trust entirely in the strength of Matter's art: A seminude portrait photograph of Matter (taken by her husband) graces the book's cover, and throughout the catalog undue emphasis is placed on Matter's more-famous male peers. Her powerful paintings and drawings, however, are the strongest form of rebuttal. The exhibition will travel on to Pepperdine University's Weisman Museum of Art in Malibu, Calif.; Guild Hall in East Hampton, N.Y.; and Knox College's Figge Art Museum in Davenport, Iowa.
Contact

info@mercedesmatter.com
Mercedes Matter and Philip Guston at the Cedar Bar 1958
This site is dedicated to cataloguing all known works by Mercedes Matter, bringing together paintings, drawings, works on paper, and related archival material from throughout her career. Its purpose is to establish a comprehensive and evolving record of Matter’s artistic production, documenting individual works, dates, media, provenance, exhibition histories, and related scholarship while providing a central resource for the continued study of her work and legacy. Submissions of works for consideration and inclusion in the catalogue will begin in early 2027.
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© Copyright 2026 Mark Borghi. All rights reserved. All registered trademarks herein are the property of their respective owners.
© Copyright 2026 Mark Borghi. All rights reserved. All registered trademarks herein are the property of their respective owners. are the property of their respective owners

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